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His own terms: Sharad Raj

Ek Betuka Aadmi Ki Afrah Raatein is now streaming on Eventscape Vod Platform. Vinta Nanda has a chat with director Sha...

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Hrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Ranjan Ghosh’s adaptation of Shakespe...

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CLASSIC HEIST: Six Films That Define the Genre

For a generation weaned on the high-tech-and-gizmo-aided heist of Steven Soderbergh’s Ocean Eleven or Dom Cobb’s equally SFX-aided ...

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Rogue Thinker

Khalid Mohamed’s never-before published interview with the dogged rule-breaker, Ram Gopa...

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Bengali Film Review: Dictionary

Well-known playwright, theatre activist/director, and film-maker/actor Bratya Basu’s film is well-intentioned but suffers from a muddled ...

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Madhumati: A classic revisited

Film historian Dhruv Somani flashbacks to Bimal Roy’s classic ghost story, which continues to be mint-fre...

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Our Invisible Men

Film historian Dhruv Somani travels back in time to chronicle 10 B-town films on the classic vanishing trick, first conceptual...

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An Unwatchable Boy

Khalid Mohamed reviews the web series A Suitable Boy and Mirzapur 2, streaming on Netflix and Prime Amazon Video respectively....

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Reincarnation: Bollywood’s affair with rebirth

Film historian Dhruv Somani gives you a lowdown on the ...

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